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A Federalist candidate depicted as a pro-British devil and identified with the Hartford Convention of 1814. Detail from an American campaign leaflet of 1816 in support of Democratic-Republican presidential candidate James Monroe

A Federalist candidate depicted as a pro-British devil and identified with the Hartford Convention of 1814. Detail from an American campaign leaflet of 1816 in support of Democratic-Republican presidential candidate James Monroe


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A Federalist candidate depicted as a pro-British devil and identified with the Hartford Convention of 1814. Detail from an American campaign leaflet of 1816 in support of Democratic-Republican presidential candidate James Monroe

FEDERALIST CARTOON, 1816.
A Federalist candidate depicted as a pro-British devil and identified with the Hartford Convention of 1814. Detail from an American campaign leaflet of 1816 in support of Democratic-Republican presidential candidate James Monroe

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7779755

1816 Anti Colonialism Anti Federalism Canvassing Convention Crown Election Evil Federalist Hartford Hoof Imperial Monroe Pamphlet Parody Satan Tail Wand


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EDITORS COMMENTS
This print from 1816 showcases the intense political climate surrounding the American presidential election. In a clever and satirical manner, it portrays a Federalist candidate as a pro-British devil, drawing inspiration from the infamous Hartford Convention of 1814. The detail is taken from an American campaign leaflet in support of James Monroe, the Democratic-Republican presidential candidate. The image vividly captures the essence of early American politics, with its use of symbolism and parody. The Federalist candidate is depicted with all the trappings of evil: a crown on his head representing imperialism, an evil grin on his face resembling Satan himself, and even hooves instead of feet. He holds a wand symbolizing his power to manipulate and deceive. The cartoon serves as both propaganda for Monroe's campaign and as an attack against the Federalists. It highlights their alleged pro-British sentiments during a time when anti-colonialism was gaining momentum in America. By associating them with such negative imagery, this artwork aims to sway public opinion away from supporting Federalist candidates. Overall, this historical artifact provides us with valuable insight into early American elections and political strategies employed by different parties. It reminds us that even centuries ago, campaigns were marked by fierce competition and attempts to discredit opponents through visual mediums like cartoons or pamphlets

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