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ADAM AND EVE. The Fall (Genesis 3: 1-6). French manuscript illumination, c1250

ADAM AND EVE. The Fall (Genesis 3: 1-6). French manuscript illumination, c1250


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ADAM AND EVE. The Fall (Genesis 3: 1-6). French manuscript illumination, c1250

ADAM AND EVE.
The Fall (Genesis 3: 1-6). French manuscript illumination, c1250

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 6250303

1250s Adam Apple Evil Garden Genesis Hand Writing Judaism Manuscript Illumination Temptation Tree Of Knowledge


EDITORS COMMENTS
This print titled "ADAM AND EVE. The Fall (Genesis 3: 1-6). French manuscript illumination, c1250" transports us back to the medieval era, where ancient stories were brought to life through intricate hand-written manuscripts. In this particular artwork, we witness the pivotal moment in the biblical tale of Adam and Eve's downfall. The scene unfolds within a lush garden, symbolizing paradise itself. At its center stands the infamous Tree of Knowledge, adorned with luscious fruits including the fateful apple that would forever change humanity's fate. Adam and Eve are depicted side by side, their nakedness representing innocence before succumbing to temptation. Eve is shown reaching out towards the forbidden fruit while a cunning serpent slithers around her arm, whispering deceitful words into her ear. This imagery captures both vulnerability and curiosity as she contemplates defying divine commandments for knowledge beyond her grasp. The artist's attention to detail shines through in every stroke of this exquisite manuscript illumination from 1250s France. From delicate facial expressions to meticulously crafted foliage surrounding them, each element adds depth and emotion to this timeless narrative. Through this artwork, we are reminded of humanity's eternal struggle between good and evil – a universal theme found across cultures and religions throughout history. It serves as a powerful visual representation of mankind's inherent flaws but also our capacity for growth and redemption.

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